Minggu, 21 April 2019

Ebook Free Pushing Up Daisies: A Dirty Business MysteryBy Rosemary Harris

Ebook Free Pushing Up Daisies: A Dirty Business MysteryBy Rosemary Harris

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Pushing Up Daisies: A Dirty Business MysteryBy Rosemary Harris

Pushing Up Daisies: A Dirty Business MysteryBy Rosemary Harris


Pushing Up Daisies: A Dirty Business MysteryBy Rosemary Harris


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Pushing Up Daisies: A Dirty Business MysteryBy Rosemary Harris

  • Sales Rank: #6400372 in Books
  • Published on: 2009
  • Original language: English
  • Dimensions: .85" h x 4.28" w x 6.74" l, .32 pounds
  • Binding: Paperback
  • 304 pages

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Jumat, 19 April 2019

Ebook Free Taxi Driver (BFI Film Classics)By Amy Taubin

Ebook Free Taxi Driver (BFI Film Classics)By Amy Taubin

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Taxi Driver (BFI Film Classics)By Amy Taubin

Taxi Driver (BFI Film Classics)By Amy Taubin


Taxi Driver (BFI Film Classics)By Amy Taubin


Ebook Free Taxi Driver (BFI Film Classics)By Amy Taubin

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Taxi Driver (BFI Film Classics)By Amy Taubin

Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after
the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.

Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle – pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing – finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.

In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film.

  • Sales Rank: #1151487 in Books
  • Published on: 2012-09-04
  • Released on: 2012-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.49" h x .27" w x 5.42" l, .40 pounds
  • Binding: Paperback
  • 88 pages

From the Back Cover
Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.
Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.
In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film.
"

About the Author
AMY TAUBIN is a contributing editor of Film Comment and Sight & Sound and writes frequently for Artforum.

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Selasa, 16 April 2019

Free Download Alton Brown's Gear for Your KitchenBy Alton Brown

Free Download Alton Brown's Gear for Your KitchenBy Alton Brown

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Alton Brown's Gear for Your KitchenBy Alton Brown

Alton Brown's Gear for Your KitchenBy Alton Brown


Alton Brown's Gear for Your KitchenBy Alton Brown


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Alton Brown's Gear for Your KitchenBy Alton Brown

Alton Brown has smoked a salmon in a cardboard box, roasted a prime rib in a terracotta flower pot, cooked onion soup in an electric skillet, used a C-clamp as a nutcracker, and a binder clip to hold a probe thermometer in place. While his machinations may border on the Rube Goldberg-esque, it is among Brown's missions to present the best - and often the simplest - tool to get the job done. Following an introduction that discusses a little bit of kitchen history and some advice on room layout and organization, the book is divided into 9 chapters: Big Things with Plugs, Pots and Pans, Sharp Things, The Tool Box, Small Things with Plugs, Storage and Containment, It Came From the Hardware Store, Surfaces, and Safety and Sanitation.

  • Sales Rank: #74725 in Books
  • Brand: Brand: Stewart, Tabori and Chang
  • Published on: 2003-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.25" w x 7.75" l, .0 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Amazon.com Review
"I think cooking is a lot of fun and I hate to see people not having fun doing it just because they don't have the right tools--which is not to say they need the prettiest, best, most expensive tools. They just need the tools that are right for them." Such is the organizing principle of Alton Brown's Gear for Your Kitchen by the selfsame Alton Brown, star of Food Network's Good Eats as well as award-winning author of I'm Just Here for the Food. It's an interesting, effective principle. It comes from a guy who serves pie with a four-dollar mortar trowel he picked up at the hardware store.

Brown's opening challenge is a 60-day, four phase process of ridding your kitchen of all things unused and insignificant--easy on the surface, but tough in the doing. That leaves room for essential gear. And to help make those choices, Brown looks at pots and pans, sharp things (not just knives, but graters, mandolins, and cheese slicers, too), small things with plugs (as in small appliances--from food processors to coffee makers to deep fat fryers), kitchen tools unplugged (those items that fill drawers), storage and containment, and safety and sanitation.

If this were just an encyclopedia, what an unwholesome bore it would be. But Brown turns this relevant information into a romp. He's talking about the tools he uses, after all, and has no fear of naming likes and dislikes--based on his own experience. He also includes unending side chatter about cutting corners, saving money, and actually putting good tools to work. You'll find recipes throughout, and techniques, too. Like, how to bake a chicken in a flower pot. If you wonder why you would even want to attempt it in the first place, Brown clues you in. Alton Brown's Gear for Your Kitchen is about as guilt free as pleasure will ever get. --Schuyler Ingle

From Publishers Weekly
Best known for his Good Eats program on the Food Network, Brown has all the colander knowledge, marketing savvy and geeky male appeal to whip up a big hit from this unwieldy but very fun macropedia of gadgetry. Splashing the word "gear" across the cover in capital letters is clearly an appeal to the male shopper. Descriptions of every conceivable pan, peeler and propane torch get their due in entries ranging from a few sentences to a few pages, depending on which items Brown considers to be absolute necessities or which are just cool to have around. (As Brown is a self-confessed java-holic, the extensive overview of coffeemakers reads as a labor of love.) There are Mr. Science type explorations of topics such as, "Why Eggs Stick So Bad," and "The Proper Way to Pack a Cooler." One hundred photographs and another 100 illustrations make sense of what, for example, a nylon fish turner or an immersion blender looks like. Lost in the mix are 25 random recipes ranging from Icebox Bran Muffins to Potato Leek Soup. Brown does his own photography but designers Galen Smith and Amy Trombat deserve credit. The layout and graphics, replete with faux handwriting in the margins and arrowed lines zipping through the text are part 1950s Sears catalogue gone art deco, part coffee-table book for George and Judy Jetson.
Copyright 2003 Reed Business Information, Inc.

Review
"[Alton is] one part epicure, one part Einstein..."

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